Sunday, October 16, 2011

Blog 5

In my scene the director did follow the 180 degree rule.  All shots were taken from the same side of the desk.  There were really only 3 shots primarily used.  There was a 2 shot at the beginning, to a close up, then it mainly switches between a sort of over the shoulder shot from each direction.  The cameras never break the 180 degree arc.  The cameras were almost completely opposite of each other while being close to the 180 degree plane, they did not break it.
                The rule of thirds is used in the scene.  The 2 detectives faces are always at on of the intersections.  Mainly in the top left and right thirds of the screen.  In some of the shots it has one detective in the lower left third, and the other in the upper right third.  This gives a feeling of dominance to the detective on the right, and makes the other detective seem submissive and weak, even when he is actually the one yelling at the other detective, it still makes him seem stupid, and the other detective dominant over him..  Throughout the whole scene, the attention is always placed on their faces.
                The 30 rule is definitely applied in this scene.  There are no jump cuts, and all the camera shots have at least a change in angle of 30 degrees.  In the 2 widely used shots in the scene, there is a difference in around 170 degrees between the shots, and they are each zoomed in on the opposite detectives face.  So both rules are applied simultaneously.
All three of the rules were applied in this scene.  The cameras never broke the 180 degree plane.  The faces of the detectives were always in one of the intersections of the thirds.  The camera shots applied both changes larger than 30 degrees and zooms over 30%.



Blog 6





The 2 images I chose were from the movie Aladdin, and the series Adventure Time.  Both images are strongly using color to contrast characters in the scene.  In the scene from Aladdin, the Sultan and Jafar are colored very differently, to show the differences in intentions and personality.  The sultan, representing good, is colored in very light colors, such as the white beard, light blue, and whitish yellow.  This is heavily contrasted in the coloring of Jafar.  He is colored in darker colors, purples, reds, blacks.  This is to represent his evil nature, and perhaps relate him to the Devil, which is usually represented with reds.  The contrasting colors in the scene represents the conflict that is occurring.
                The scene from Adventure Time uses color in a similar way.  The ice king is colored in dark blue, which represents power.  Blue is also associated as a boyish color.  The background is filled with light blues, which represents calmness and healing.  Princess Bubblegum is colored in purples, which represents royalty.  Purple is also strongly associated as a girly color.  The Ice King’s and his lair are all colored in shades of blue, strongly contrasting the purple Princess Bubblegum, and emphasizing how out of place she is.  The blue brings a calming feel to the scene, even though that is the complete opposite feeling you should have considering what is happening in the scene.
                There is symbolism in both scenes.  In Aladdin, the Sultan is representing good, purity, whereas Jafar is representing evil and the Devil.  In Adventure Time, if you analyze what is happening in the scene, the Ice King is basically a powerful creepy old man, and Princess Bubblegum is a young princess, and basically the Ice King is kidnapping the princess and trying to make out with her.  It is not really hidden in the scenes, but is cleverly dismissed in the shows, whereas it is never acknowledged as being as serious as it really is.
                Both scenes use color to strongly contrast the characters personalities and intentions.  Both scenes feature characters in a conflicting situation, which is represented by the coloring.  They also both use symbolism to represent power and evil, and good and weakness.

Saturday, October 15, 2011

Blog 4

Tonight, Tonight, Hot Chelle Rae  http://www.youtube.com/watch?v=QzlNFcT2aOE&ob=av3e




The two songs I chose were Tonight, Tonight by Hot Chelle Rae, and Change of Seasons by Sweet Thing.
                The songs have many elements that are the same.  Both songs have a medium-fast tempo, and both have an upbeat and happy groove.  The height of the 2 songs are also similar.  They stay in the medium and higher range of notes.  The drums were prominent in both songs and helped give the song its primary movement and rhythm.   In Tonight, Tonight, the bass guitar provides additional rhythm to the song, and in Change of Seasons, the piano provides additional movement in the song.  Both songs have similar emotional architecture.  They both end with the climax point of the song, with the highest depth of instrumentation.  Tonight, Tonight has a single drop of in intensity and then a buildup until the end of the song, whereas Change of Seasons has a smaller drop off after the first chorus, then a large drop off in intensity and then its buildup till the end.  The structure of the songs were fairly similar.  Both have the “verse, chorus, verse, chorus” pattern in the middle, and both songs end with the climax point.
                I like both of these songs, but if I had to pick one that I liked better, it would be Change of Seasons.  I really like the depth to the song, especially during the chorus and climax.  I like how throughout the song the piano adds a unique feel to the song.  The guitar in the background adds a really neat complementary sound to the song as a whole.  The background singing is almost used as an instrument in parts of the song.  I really enjoy the upbeat and happy feel to the song.  I particularly enjoy the end portion of the song with the build up to the climax, and quick drop off at the end.  Overall, I like the song because it is very deep and gives your ears and mind somewhere to go.  It gives you a feeling of not having a care in the world, and just having fun.




Sunday, September 25, 2011

Youtube Script

FADE IN                                                          
                                                                           
                                                                           
          INT. POLICE STATION OFFICE DAY                                   
                                                                           
          ALLEN GAMBLE sits at his desk and types on his computer.         
                                                                           
          As he is typing, TERRY HOITZ enters the room.                    
                                                                           
                              TERRY HOITZ                                  
                    Do you know what I just did?                           
                                                                           
          Allen Gamble stops typing                                        
                                                                           
                              TERRY HOITZ                                  
                    I just walked out that door, saw a                     
                    couple detectives, and I was about                     
                    to start bad mouthing you behind                       
                    your back, but i stopped myslef                        
                    because my pops taught me that a                       
                    man that talks behind somebodys                        
                    back, is a coward.                                     
                                                                           
                              ALLEN GAMBLE                                 
                    Wow, i actually appreciate that                        
                                                                           
                              TERRY HOITZ                                  
                    Good, because im going to tell you                     
                    directly to your face.                                 
                                                                           
                              ALLEN GAMBLE                                 
                         (Quietly)                                         
                         No, you don’t have too                            
                                                                           
                              TERRY HOITZ                                  
                    I don’t like you.  I think you’re a                    
                    fake cop.  The sound of your piss                      
                    hitting the urinal, it sounds                          
                    feminine.                                              
                                                                           
                              ALLEN GAMBLE                                 
                    Mmm                                                    
                                                                           
                              TERRY HOITZ                                  
                    If we were in the wild,i would                         
                    attack you.  Even if you wern’t in                     
                    my food chain, i would go out of my                    
                    way to attack you.  If i were a                        
                    lion and you were a tuna, i would                      
                    swin out to the middle of the ocean                    
                    and i would freaking eat you!  And                     
                    then i’d bang your tuna girlfriend.                    
                                                                  
ALLEN GAMBLE                                 
                    Ok, first off, a lion?  Swimming in                    
                    the ocean?  Lions don’t like                           
                    water.  If you’d placed it near a                      
                    river or some fresh water source,                      
                    that would make sense.  But you                        
                    find yourself in the ocean, 20 foot                    
                    wave, i’m assuming it’s off the                        
                    coast of South Africa, coming up                       
                    against a full grown 800 pound                         
                    tuna, with his twenty or thirty                        
                    friends?  You lose that                                
                    battle.  You lose that battle nine                     
                    times out of ten.  And guess                           
                    what?  You’ve wandered into our                        
                    school of tuna, and we now have a                      
                    taste of lion.  We’ve talked to                        
                    ourselves.  we’ve communicated.                        
                                                                           
                              TERRY HOITZ                                  
                    Yeah?                                                  
                                                                           
                              ALLEN GAMBLE                                 
                      And said, you know what, lion                        
                    tastes good!  Lets go get some more                    
                    lion.  We’ve developed a system, to                    
                    establish a beach head, and                            
                    aggressivly hunt you and your                          
                    family.  And we will corner your,                      
                    your pride, your childeren, your                       
                    offspring.                                             
                                                                           
                              TERRY HOITZ                                  
                    How you gonna do that?                                 
                                                                           
                              ALLEN GAMBLE                                 
                    We will construct a series of                          
                    breathing aparatus with kelp.  We                      
                    will be able to trap certain                           
                    amounts of oxygen.  It’s not going                     
                    to be days at a time.  An hour,                        
                    hour fourty five, no problem.  That                    
                    will give us enough time to figure                     
                    out where you live, go back to the                     
                    sea, get more oxygen, and then                         
                    stalk you.  You just lost at your                      
                    own game, you are outgunned and                        
                    outmanned.                                             
                                                                           
          Awkward pause                                                    
                                                                           
          Allen Gamble resumes typing                                      
                                                                           
         
ALLEN GAMBLE                                 
                    Did that go the way you thought it                     
                    was gonna go?                                          
                                                                           
          Allen shakes head                                                
                    Nope                                                   
                                                                           
          Terry dumps hot coffee on Allen.                                 
                                                                           
          Allen screams as Terry exits the room.                           
                                                                           
                                                                           
          FADE OUT                                                         
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           
                                                                           

Saturday, September 24, 2011

Finding your howl

http://changethis.com/manifesto/show/51.01.YourHowl

A group of wolves who had been held in captivity are finally released into the wild.  The wolves are happy to get out of there caged environment.  But they realize one thing.  They have forgotten how to Howl.  The wolves are living in fear because none of them can howl and claim dominance and become the leader.  Throughout the story one of the wolves meets different characters and is actually killed.  Then he wakes up and realizes it was a dream, and realizes he is howling and that he knew how to howl the whole time.  He then becomes leader of the pack and the wolves no longer live in fear.  Flaum was making the point that we have to pay a price, do things we are not comfortable with, and almost risk it all to find our voice.
A meaningful quote I know was told to me by a news cameraman I can across while on vacation.  He said when doing videos you need to “Imitate the Eye”.  By this he means you need to use the camera as if it were someone’s eye, show the things people would naturally want to look at.  Doing this makes your videos much better, because it is easier to watch, because it is imitating how you would naturally see the world.  This quote pertains mostly to doing news reports.  When you are getting footage on a news story, you need to be sure to shoot the things people would want to see.  For example, you wouldn’t sit on a shot of a gun before it fires, because your eye would be drawn to the gun as it is firing.  If someone is getting out of the car, don’t shoot the door before they get out, shoot it as they are getting out of the car.  People don’t naturally just stare at car doors waiting for someone to come out, you would be drawn to the action.  This can apply to all kinds of scenarios.  If you are filming a concert, you don’t focus the entire time on the singer, your eye is drawn to the drummer, the guitarists fingers strumming, maybe backup dancers, people dancing or cheering in a crowd.  That’s why you would show those kinds of shots when you are shooting it, because that is what people would naturally want to see.  If you use the “imitate the eye” technique, your videos should be more interesting and flow better.  A good example of imitating the eye are shows like Cops.  The cameraman is basically pointing the camera where he wants to look.  That is why it will show a man being arrested, and as that is happening, he might turn around to show a cop holding a dog back behind him.  Then he might turn back to show them putting the criminal in the cop car, then show two cops conversing at the same time.  This idea of “imitating the eye” has taught me better and more interesting ways of shooting video, and wanting to go into the news field, this technique can become very handy.  

Character Project

Cartoons are usually brightly colored like fire

The triangular shape of gru represents the unrealistic shapes of cartoons
Cartoons usually have simple, unrealistic shadows


My character is from a beautiful colorful cartoon world, where he lived with his family.  One day a mysterious portal opened tearing him away from his family.  He was thrown into a dark eerie world in which he did not belong.  He didn’t know what this world was, but he knew he would stop at nothing to find a way back to his home.

________________________________________________


Character is strong, someone you dont want to mess with

The cool colors reflect his calm and collected nature.

Finally for lighting I wanted the character
to be depicted under a harsh light with
a very dramatic cast shadow to invoke
a sense of the characters mysterious
personality.

He is a quiet and typically reserved person. Realistic for the most part in the way he keeps his emotions to himself. There have been some changes to his world, new inhabitants are running around and threatening his quiet and peaceful life. So now hes decided to start fighting back.